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Hallelujah, indeed
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Published Sunday, November 27, 2011 @ 11:07 PM
Nov 27 2011

Paul Shaffer (b. November 28, 1949) is perhaps best known as late night talk show host David Letterman's band leader, a position he's held since the show's original premiere on NBC in 1982.

That year, a song Shaffer co-wrote in 1979 with Grammy and Academy Award winning composer Paul Jabara was recorded by a duo of plus-sized black women originally called Two Tons o' Fun. To tie in to the theme of the song, the group renamed themselves The Weather Girls. The recording, a disco tune with a driving beat and unusual minor chord progression, was It's Raining Men.

The rest, as they say, is history.

In 1982, I was working as the second-shift supervisor of a financial printing company on the fringes of downtown Pittsburgh, and I always tried to make it home in time to catch Letterman's show.

I vividly remember the night Men made its appearance. Letterman had repeatedly razzed Shaffer about his new disco tune, and when the two huge black women in glittering evening gowns appeared as the now-iconic intro began, I expected a clever disco parody sketch.

Instead, Shaffer's band and the vocalists gave a raw, spontaneous performance that had the audience clapping along and cheering wildly. Letterman admitted they'd "ripped the roof off the joint."

The original performance is here, and it's definitely worth watching. (The video's owner prohibits embedding it here.) It's a rare opportunity to watch the birth of a pop culture phenomenon.

Shaffer gives the history of the song in this interview,

and introduces it at the 2011 Tony Awards, where it's the opening number in the Broadway music adaptation of the film Priscilla, Queen of the Desert

Categories: Broadway, It's Raining Men, Music, Paul Shaffer, The Weather Girls, Video, YouTube

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Phantom at 25
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Published Sunday, October 09, 2011 @ 11:56 AM
Oct 09 2011

The Phantom of the Opera officially premiered October 9, 1986 at Her Majesty's Theatre in London's West End. It opened in New York in January, 1986, and it's still playing- making it the longest-running musical in Broadway history.

The 25th anniversary performance at Prince Albert Hall was filmed- which means a complete recording of the show will finally be available on DVD and Blu-Ray. Here's hoping they collect and destroy the remaining copies of the 2004 film, which was nothing short of an abomination.

Categories: Broadway, Cameron Mackintosh, Music, Phantom of the Opera, Video, YouTube

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Bye Bye Bob
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Published Friday, September 23, 2011 @ 4:23 AM
Sep 23 2011

You can't think of Bob Fosse (June 23, 1927 – September 23, 1987) and not remember "Bye Bye Life," the spectacular ending of his semi-autobiographical All That Jazz (1979).

(YouTube video of the "Bye Bye Life" finale. Warning: contains brief nudity.)

When it's time to shuffle off this mortal coil, most just limp into an ill-defined tunnel with a light at its end. Fosse's Joe Gideon character does it with a Palme d'Or-winning Broadway finale.

The ending is abrupt and unsettling. Only Fosse could blend body bags and Ethel Merman and make it work.

Categories: All That Jazz, Bob Fosse, Broadway, Ethel Merman, Music, Video, YouTube

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Interpretations of Independence
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Published Monday, July 04, 2011 @ 8:16 AM
Jul 04 2011

Thomas Jefferson and John Adams died on July 4, 1826, exactly 50 years after the adoption of the Declaration of Independence by the Second Continental Congress,

On July 4, 1997, Charles Kuralt died. A journalist for CBS, he had a passion for America and American history. During the Bicentennial in 1976, he prepared a segment for The CBS Evening News with Walter Cronkite that remains the best "news report" of what happened in Philadelphia 200 years earlier:

Another wonderful interpretation of the tensions before the vote is the song Is Anybody There? from the award-winning Broadway musical 1776, which airs at 2 pm today on Turner Classic Movies:

Is Anybody There?"

From the musical "1776"
Music and lyrics by Sherman Edwards

John Adams:

Is anybody there?
Does anybody care?
Does anybody see what I see?

They want to me to quit.
They say, "John, give up the fight."
Still to England I say:
Good night, forever, good night!

For I have crossed the Rubicon,
Let the bridge be burned behind me,
Come what may, come what may.

Commitment!

The croakers all say we'll rue the day,
There'll be hell to pay in fiery purgatory.
Through all the gloom, through all the gloom,
I can see the rays of ravishing light and glory!

Is anybody there?
Does anybody care?
Does anybody see what I see?

I see fireworks!
I see the pageant and pomp and parade!
I hear the bells ringing out!
I hear the cannons' roar!
I see Americans - all Americans.
Free forevermore!

How quiet, how quiet the chamber is.
How silent, how silent the chamber is.

Is anybody there?
Does anybody care?
Does anybody see what I see?

Categories: 1776, Americans, Broadway, Charles Kuralt, Congress, Declaration of Independence, History, John Adams, Movies, Music, TV, Video, YouTube

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Mr. Magoo's Chistmas Carol
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Published Sunday, December 19, 2010 @ 5:14 AM
Dec 19 2010

Mister Magoo's Christmas Carol, a musical adaptation of the Dickens story, was the first animated holiday special produced specifically for American network television. Commissioned and sponsored by Timex, it aired on NBC on December 18, 1962; two years before Rankin-Bass' Rudolph the Red-Nosed Reindeer, and three years prior to the generally acknowledged masterpiece of the genre, the Emmy and Peabody award-winning A Charlie Brown Christmas.

While Rudolph, Charlie Brown, Frosty the Snowman (1969), and How The Grinch Stole Christmas (1966) have aired annually since their debuts, Magoo exited network television in the 1980s, popped up in syndication for the next decade or so, then shuffled off to home video and the Internet.

While Magoo features the relatively cheap limited animation most television cartoons employ, it had something the others didn't- a score written by Broadway heavy hitters Jule Styne and Bob Merrill, whose next effort would be the hit show Funny Girl.

A remastered Blue-Ray DVD of the show was released this year, and the soundtrack and show itself are available on Amazon and iTunes (should the Hulu link above become unavailable).

For a lot of mid-50s boomers, Magoo was our introduction to Dickens' classic story. And, as the first real Christmas special, it left a major impression.

It's good to see it available again.

Categories: Animation, Broadway, Christmas, Classic, Holidays, Hulu, Mr. Magoo's Christmas Story, Music, Video

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September
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Published Wednesday, September 01, 2010 @ 9:38 AM
Sep 01 2010

Categories: Broadway, Fantasticks, Jerry Orbach, Music, Video

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The Synthesized Acoustic Analogue of the Night
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Published Monday, August 30, 2010 @ 11:45 AM
Aug 30 2010

It's time for musical theater patrons to tell producers the relentless downsizing of show orchestras must end.

The Broadway production of "The Phantom of the Opera" has 27 musicians. During its 2006 pass through Pittsburgh, the touring company had only 15 in the pit. The current production has a mere 13; 10, if you exclude the three synthesizer keyboards. There's something fundamentally wrong when the ensemble of the most successful musical in Broadway history is identical in size to The Tonight Show Band.

The show's score no longer soars majestically from the pit. It's now a homogenized emission from the theater's sound system. The diminutive acoustic levels of the emasculated "orchestra" must be augmented with the synthesized output, then processed, equalized, compressed and amplified. The end result is devoid of vibrance and dynamic range. It's like listening to an iPod on steroids.

Producers say they must reduce costs to keep a show going, especially one heavy with physical effects and costumes such as "Phantom." I can deal with a scaled-down chandelier, but eliminating the music from a musical? That makes about as much sense as cutting the overhead for "Romeo and Juliet" by ditching the unstable emo girl for an animatronic replacement with pre-recorded dialogue triggered by an infrared transmitter in Romeo's codpiece.

Roughly $3 of my $70 ticket goes to funding the orchestra. Once you reach those pricing levels, what's another five bucks to maintain the integrity of the work as it was originally performed?

The argument that the average theatergoer can't tell the difference is irrelevant and disingenuous. The average person also can't distinguish between fresh and reconstituted orange juice, but when I go out of my way to visit an orange grove, I don't want to be handed a can of Minute Maid and be told "it's just as good as the real thing."

It's a Broadway musical? I want to hear it the way it was performed on Broadway. The next time a show with an anemic, overly synthesized pit comes to town, I'll just stay at home and listen to the cast album.

Categories: Broadway, KGB Opinion, Music, Phantom of the Opera, WTF?

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